Denizen
Retired Member
- Joined
- Sep 2, 2013
- Messages
- 5,561
- Reaction score
- 6,440
- Points
- 113
- Age
- 31
Find out for yourself, new best friend.
Find out for yourself, new best friend.
I said movies so please keep it restricted to movies. I looked at what's been said so far and none of it will do.
I need an anime movie that anyone would enjoy, not just frequent anime watchers. The most important things to consider with my sister are mood and aesthetic. It has to be 70% serious, 30% laid back, and it has to be as far away from the average anime aesthetic as possible.
I cannot stress that last point enough, if REDLINE was exactly the same but it looked like Azumanga Daioh my sister would straight up hate it. Hell, I would too.
ALSO NO FANSERVICE. Fanservice is just fuckin' unnecessary.
yes, but you have to watch the main series in order to understand the movies in the first place. BUT, the main series is super short and makes a great suspense thriller.
Oh boy, now this one's a doozy. One of the reasons that we find so much importance in the distinction between anime and cartoons is because at first glance, there seems to be a huge difference in production between the two. What do you think of when you think of animation in the west? Family-friendly movies, Saturday morning toy commercials, and comedies for children, adolescents, and adults. Thus, when looking at Japanese animation, one can see a seemingly clear as day difference in style. They have things like Cowboy Bebop and Naruto, which seem completely foreign compared to say, Family Guy and Disney. That's why when western productions are influenced by Japanese animation, like Avatar or Wakfu, it becomes very tempting to use the term anime.
However, looking at it exclusively this way does not tell the whole story. What do you think of as the style of anime? Well, probably traits that fit the series of shows that Michael mentioned. However, using these examples, one omits a large amount of shows that are considered anime. Consider Cat Soup, Mind Game, The Diary of Tortov Roddle, and Kaiji. They don't fit the "anime look" at all. Consider series like Mushishi, The Tatami Galaxy, and One Outs, which don't even come close to the style you see in things like Naruto and Cowboy Bebop. Consider in particular things like Redline and Panty and Stocking with Garterbelt, which are hugely influenced by western animation. Does that mean that they aren't anime? Of course, no one would think that.
Now, the biggest problem with the idea of anime as a stylistic distinction comes with a history lesson. Most people agree that the very first "true anime" was Astro Boy, first aired in 1963. It was by Osamu Tezuka, commonly called the Godfather of Manga, as he was also a part of the rise of manga in postwar Japan. The problem is, of course, that early anime and manga were, in fact, heavily influenced by western animations, and one can clearly see the Disney influence in Osamu Tezuka's early manga and anime. When looking at early Japanese anime series, it's not so easy to distinguish them from western animation. Some Japanese works were turned into highly successful English language adaptations, such as Speed Racer, Star Blazers, and Voltron. Japanese companies also very often worked on western projects, like Moomin, Maya the Bee, Alfred J. Kwak, and the Mysterious Cities of Gold. Did you know that Frosty the Snowman was animated by the same team that did Astro Boy? The term anime as distinguished from cartoons becomes particularly dangerous when one realizes that Japanese animation was itself once strongly influenced by Western animation.
Personally, as an anime fan, I use the term "anime" as a geographically determined term, rather than any specific style. At the same time, the alternative idea of anime as a geographic distinction does not work well either. If anime is from Japan, then you exclude Korean productions like Yobi the Five Tailed Fox. And if you include Korea, then why not China? Why don't we say anime comes from East Asia? Well, then we're excluding Southeast Asian productions too! An interesting example of the challenges of the semantic label of anime comes from the movie Tatsumi. It's based on a Japansese manga, and is even in Japanese. But since it's a Singaporean production, it is not considered anime. How about Japanese co-productions with western studios? How do you decide which side defines the classification? Where do we place our boundaries between anime and western animation?
In the end, it all comes down to the fact that genre classifications are inherently constrictive and exclusionary, and perhaps not entirely useful. As usual, it's an unexciting, nebulous conclusion, but if things were clear-cut, we wouldn't be having this discussion in the first place.
I would love to dive into the topic of manga (and manhwa and manhua, of course), because of how important manga is to the anime industry (95% of modern anime productions are adaptations of a manga), but then an already extremely long story becomes at least twice as long. I tried my best to be coherent and proofread my writing, so hopefully the length is the only problem. I feel like I spent an hour writing this. And if you made it to the end, thanks for reading.
Yup.
There's no "Anime" on Adult Swim is there?
There's no threshold for spoilers when it's the show you are currently watching. Star wars is way past the threshold for spoilers too but they don't begin the new dvds with "by the way darth vader is luke's father" because that would be fucking stupid.
except the anime isn't just for people new to the seriesThere's no threshold for spoilers when it's the show you are currently watching. Star wars is way past the threshold for spoilers too but they don't begin the new dvds with "by the way darth vader is luke's father" because that would be fucking stupid.
But whoever made the jojo opening isn't that intelligent, apparently.
Plus seriously you don't think that anyone would be watching this anime without reading the manga? Do they need to alienate those people for being late to the series?
Well first of all unmarked spoilers, gee thanks. You should probably edit that considering I didn't spoil my original post so that we would talk about the exact same subject unmarked like 5 posts down. Not to mention they're the exact spoilers that got me so pissed.except the anime isn't just for people new to the series
it's for new and old fans, and the openings reflect that. They showcase their respective parts well ( both in terms of capturing the jojo's spirit and animation-wise. Kamikaze Douga knows how to do they do) without explicitly letting anything go that isn't common knowledge about the series (oh no, they spoil that dio becomes a vampire, what a shocking turn of events that isn't in every summary of Phantom Blood), and the only way you'll notice the spoilery content is if you'rre looking for it.
plus caesar dying isn't even that much of spoiler and caesar is a loser who doesn't even accomplish anything. he's just a fop who throws bubbles and brings shame to the zeppeli name (luckily gyro makes up for it in spades. Best Zeppeli)
Well, since I guess I'm not getting you to spoiler your shit, I guess this conversation is jojo fans only. Yippee.except there really aren't explicit spoilers there
YOU made the call, the opening doesn't explicate anything on caesar other than he exists and uses bubbles (much like caesar himself, but he can't really keep that first one going)
YOU made the assumption of his fate and just happened to be correct
YOU are the one that has problems with the non-explicit spoilers to a minor character death that's 24-years old, and literally the one I have seen who has an issue with the supposed alienation
But hey here's a spoiler: Dio's the villain of Stardust Crusaders! But it's not like there's anything that implies on the internet. Certainly not countless memes and road roller animations or anything of the sort
He's treated as the secondary protagonist (and the blue oni to Jojo's red oni) both by the opening and by the show. And to be fair, he helps kill Esidisi, saves Jojo at the oil pillar, and of course gets Wamuu's antidote even though Jojo doesn't use it for some stupid reason (seems like an insult to not use the medicine he died to get you until the the point where you could have taken it yourself.)except caesar really is a minor character
his entire existence is an excuse for Joseph and Speedwagon to go to Italy (which could have very easily just been Lisa Lisa) and then die to provide motivation for an already motivated Joseph. He doesn't win any fights, his character barely develops, and his power is lame as fuck. He makes Speedwagon look like the main star. Heck, even Speedwagon is more important than Caesar in the grand scheme of Battle Tendency. At least we got to meet the best nazis ever because of Speedwagon.
Caesar is just an asshole who exists for Joseph's sake that they prettied up with some sad music.
They give way too much evidence for it.
I was never into Rurouni Kenshin because of the art style and animation, but that movie looks fucking awesome.
watch the anime. there's so much badassery in this series I don't even know where to start.
I watched the first 2 episodes so far and I enjoyed them, but I find it so weird that Kenshin, a 28 year old man, is voiced by a woman in the JP dub. It's one thing when a pre-teen/teenage boy character gets voiced by a woman, but I still find it weird when the character is an adult man.
oh trust me, the first 2 episodes don't even show how badass this show gets.
I will say Richard Cansino is Kenshin for me. Although Takeru Sato AKA Ryotaro from Den-O is a great actor for his Japanese counterpart.
Very difficult choice. Both dubs (Well, JP and the Media Blasters English Dub, not the old one) are good, but I slightly like the JP dub more for the other characters and Kenshin's JP VA is still good. And the show itself is already 94 episodes long and I haven't finished an anime that's more than 26 episodes long yet.